Sobre o Fim da História e Para Além da Morte

When what once seemed solid dissolves, thinking freely as a guiding thread the problem of the archive in relation to memory in the time lapse of the almost unnoticed centenary of the poem The Waste Land, by T. S. Eliot, the Núcleo Contemporâneo da Sociedade Fluminense de Fotografia developed an installation imagined as a kind of artist's book with multiple fronts and entrances that opens to the public by unfolding architecturally in the inauguration of the exhibition space of the house of the Instituto Rouanet.